Green Water by Jacques Fath c1947

Jacques Fath's Green Water, launched in 1947, evokes a sense of fresh vitality and natural elegance, a fitting choice for its post-war debut. The name "Green Water" itself conjures images of pristine, verdant streams or tranquil pools surrounded by lush foliage. It suggests a refreshing and invigorating experience, akin to the purity and renewal one might find in nature. This term immediately brings to mind the vibrant green of new leaves and the cool, rejuvenating touch of water, resonating with both visual and tactile imagery.

The concept of "Green Water" in fragrance terms translates into a scent that is both crisp and invigorating. The term implies a fragrance characterized by a fresh, green quality combined with the clean, aqueous notes of water. For the 1940s audience, this would be interpreted as a modern, sophisticated choice, reflecting a preference for freshness and vitality in contrast to heavier, more opulent scents that dominated earlier decades.

During this era, the perfume market was evolving rapidly. The end of World War II marked a period of renewal and optimism, influencing both fashion and fragrance. Green Water’s classification as an aromatic hesperidic green floral fragrance for men was innovative. It embraced the crisp, citrus-forward notes typical of hesperidic fragrances while incorporating a green floral heart—a departure from the heavier, more traditional scents prevalent at the time.

Yin 3 by Jacques Fath c2010

Yin 3 by Jacques Fath: launched in 2010.

Monsieur de Fath by Jacques Fath c2012

Monsieur de Fath by Jacques Fath: launched in 2012.

Yang 3 by Jacques Fath c2011

Jacques Fath Yang 3 by Jacques Fath: launched in 2011.

L'Eau Technique by Jacques Fath c2013

L'Eau Technique by Jacques Fath: launched in 2013.

Yin Imperial by Jacques Fath c2009

Yin Imperial by Jacques Fath: launched in 2009.

Nathalie de Fath by Jacques Fath c2015

Nathalie de Fath by Jacques Fath: launched in 2015.

Les Folies de Fath by Jacques Fath c2013

Les Folies de Fath by Jacques Fath: launched in 2013.

Canasta by Jacques Fath c1950

Canasta by Jacques Fath, introduced in 1950, is a fragrance that not only captivated the senses but also embraced the cultural zeitgeist of its time. The name "Canasta" refers to a popular card game that was immensely fashionable in the 1950s. Originating from the Spanish word for "basket," the game involves melding cards into sets and was renowned for its strategic depth and social appeal. By naming his fragrance "Canasta," Jacques Fath evoked the excitement and sophistication associated with the game, suggesting a sense of playfulness and intrigue.

The term "Canasta" conjures images of elegant card games in glamorous social settings, where the clinking of ice in glasses and the murmur of conversation blend with the thrill of strategic play. The fragrance itself mirrors this imagery, with its fruity aromatic notes evoking the vibrant energy of the card game while its chypre base reflects a more refined and classic sensibility.

In scent, "Canasta" presents a rich tapestry of aromas that align with the era’s preference for complex, layered fragrances. It opens with a bright burst of fruity notes, immediately capturing attention with a sweet and invigorating aroma. This lively introduction transitions into an aromatic heart, offering a blend of lush, green, and herbaceous elements. The base reveals a warm, woodsy sweetness, grounding the fragrance in a rich and enduring finish.

The 1950s fragrance landscape was dominated by chypre and floral compositions, with a rising interest in bold and sophisticated blends. In this context, "Canasta" stood out for its unique combination of fruity and aromatic elements paired with a sweet woodsy base, marking a departure from the more floral or heavily citrus-oriented fragrances of the time. It perfectly captured the essence of a post-war era seeking both innovation and elegance in its perfumery, while also nodding to the playful social trends of the period. For women of the time, "Canasta" was not just a fragrance but an experience that mirrored the dynamic and stylish spirit of the decade.

Femme de Fath by Jacques Fath c2012

Femme de Fath by Jacques Fath: launched in 2012.

Rose de Fath by Jacques Fath c2014

Rose de Fath by Jacques Fath: launched in 2014.

White Irissime by Jacques Fath c2012

White Irissime by Jacques Fath: launched in 2012. Created by Marie Salamagne.

So what does it smell like? It is classified as a fruity floral fragrance for women.

• Top notes: pear, bergamot, raspberry and pink pepper
• Middle notes: iris, lily-of-the-valley, peony and violet
• Base notes: musk, sandalwood, cedar and amber

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Yin 2 by Jacques Fath c2010

Yin 2 by Jacques Fath: launched in 2010.

Expression by Jacques Fath c1977

Jacques Fath’s choice of the name "Expression" for the fragrance launched in 1977 reflects a desire to capture the essence of individuality and personal style. The word "Expression," derived from Latin and common across several languages, signifies the act of conveying thoughts, feelings, and identity. It evokes images of self-assuredness, confidence, and the art of making one's presence felt. In the realm of scent, "Expression" would be interpreted as a fragrance that embodies personal identity—a unique blend that resonates with the wearer’s inner world and outward persona.

For women of the late 1970s, a perfume called "Expression" would have resonated deeply. This was a time when women were increasingly embracing their autonomy and self-expression, not just in fashion and career choices, but also in how they chose to present themselves to the world. A fragrance bearing the name "Expression" would have been seen as a tool for asserting one’s individuality, a sensory extension of their personality. The name itself would suggest a scent that is bold yet elegant, capable of making a statement without overwhelming.

The late 1970s was an era marked by a diverse range of fragrances, with many women gravitating towards bold and complex scents that mirrored the decade’s dynamic cultural shifts. Expression, classified as a floral oriental fragrance with a chypre base, offered something both timeless and innovative. While it aligned with the prevailing trend of rich, multifaceted perfumes that were popular at the time, its composition by Raymond Chaillan ensured it had a distinctive character. The fragrance begins with a fresh floral top note, offering an initial burst of brightness and allure. This transitions into an elegant floral heart, which maintains a refined, sophisticated presence. Finally, the scent settles into a sensual, powdery, woody base that lingers warmly on the skin, embodying the depth and complexity that women of the time would have appreciated.

In the context of other fragrances on the market, Expression was both unique and in step with its time. It carried the signature of the 1970s’ love for opulent, long-lasting perfumes, yet its balanced composition allowed it to stand out. Its floral oriental profile, resting on a chypre base, provided a perfect harmony of freshness, elegance, and warmth, making it a versatile and enduring choice for women seeking to express their true selves through scent.

Irissime by Jacques Fath c2009

Irissime by Jacques Fath: launched in 2009. Created by Marie Salaman.


It is a magnificent tribute to Fath's magical, but long discontinued perfume, Iris Gris.

Irissime Noir by Jacques Fath c2014

Irissime Noir by Jacques Fath: launched in 2014.

Ellipse by Jacques Fath c1972

Jacques Fath's choice of the name Ellipse for his 1972 fragrance is intriguing, embodying both elegance and enigma. The word "ellipse" originates from the Greek word "elleipsis," meaning "a falling short" or "omission," but in geometry, it refers to a smooth, elongated curve—an oval shape that represents perfection in imperfection. The name Ellipse suggests a sense of continuity, an endless loop, and a journey that, while not linear, is refined and sophisticated. This concept resonates deeply with the nature of the scent itself, which is both complex and harmonious, reflecting the cyclical, ever-evolving essence of a woman's allure.

The word Ellipse evokes images of fluidity and grace, a seamless blend of curves and angles that captures the essence of movement and femininity. It suggests a sense of mystery and allure, as the shape itself is one that can be seen from many angles, yet never fully grasped in a single glance. This mirrors the multi-faceted nature of the fragrance, which unfolds in layers, revealing different aspects of its character over time. The emotional response to Ellipse is one of intrigue, sophistication, and timeless elegance, qualities that would resonate with the modern, confident woman of the 1970s.

Interpreting Ellipse in scent, one would imagine a fragrance that is both structured and fluid, with each note contributing to a sense of movement and balance. The dry but warm chypre classification suggests a fragrance that is grounded yet inviting, with a dominant leather note that speaks to strength and refinement. The top notes of citrus and aromatic herbs would provide a fresh, invigorating introduction, reminiscent of the clarity and brightness of an ellipse's curve. As the fragrance settles, a complex floral heart of rose, jasmine, tuberose, and carnation would unfold, adding depth and warmth, much like the deeper hues seen within an elliptical shape. The base notes of oakmoss, exotic woods, leather, and musk would anchor the fragrance, providing a rich, earthy finish that lingers like the enduring impact of a well-crafted scent.

Fath de Fath by Jacques Fath c1953

Fath de Fath, created by Jacques Bersia, and launched by Jacques Fath in 1953, carries a name imbued with both personal and sophisticated connotations. The phrase "Fath de Fath" essentially translates to "Fath's Essence" or "Fath's Own" in French, attributing the fragrance directly to its creator, Jacques Fath. This naming choice reflects a sense of personal imprint and intimate connection to the fragrance, positioning it as a direct extension of Fath’s own refined taste and style. The repetition of "Fath" emphasizes the exclusivity and personal nature of the scent, suggesting a perfume that is both uniquely and intimately tied to the designer's identity.

The term "Fath de Fath" evokes images of elegance and sophistication, with a touch of French allure. It conjures a sense of luxury and refinement, suggesting a fragrance that is both classic and deeply personal. This sentiment is mirrored in the perfume's composition, which features a delicate yet complex blend of floral and oriental notes. The name implies a scent that is not only a reflection of Fath's artistry but also an embodiment of timeless elegance.

In terms of scent, Fath de Fath can be interpreted as a sophisticated interplay of light and depth. The fragrance opens with a bright, aldehydic sparkle that introduces a refreshing, clean facet. This is followed by a dominant floral heart, where rose and jasmine are prominently featured, offering a rich and romantic bouquet. The chypre base adds a layer of depth and complexity, characterized by the earthy and woody notes of vetiver and citron bark. The muted symphony of additional notes—tea, violet, cedar, gardenia, alpine mosses, and precious woods—creates a harmonious and nuanced composition, evoking a sense of quiet luxury and understated elegance.

Women of the early 1950s would have related to Fath de Fath as a symbol of sophistication and modernity. The 1950s perfume landscape was marked by a preference for complex and refined fragrances, often with a blend of floral and oriental elements. Fath de Fath aligns with these trends while offering a distinctive twist with its prominent rose and jasmine notes, supported by a chypre base that provides both freshness and depth. Its light yet rich character would have appealed to women seeking a fragrance that was both modern and timeless, capturing the essence of post-war elegance with a touch of personal distinction.

Overall, Fath de Fath stands out as a reflection of Jacques Bersia’s craftsmanship and the sophisticated fragrance trends of the 1950s. Its blend of aldehydic freshness, floral richness, and chypre depth makes it a quintessential example of mid-century elegance, appealing to those who appreciated a scent that was both refined and deeply evocative.

Fath's Love by Jacques Fath c1961

Jacques Fath's choice of the name Fath's Love for his 1961 fragrance carries a blend of personal and emotional significance. The name, which directly associates the fragrance with its creator, Jacques Fath, conveys a sense of personal affection and intimate connection. The term "Fath's Love" combines Fath’s surname with the universal emotion of love, suggesting a fragrance that embodies the designer's heartfelt expression and devotion to his craft. In essence, the name positions the perfume as a deeply personal and cherished creation, resonating with feelings of romance and admiration.

The phrase "Fath's Love" evokes imagery of a timeless, romantic sentiment, suggesting a fragrance that is both passionate and sophisticated. It conjures visions of classic love letters, elegant gestures, and the enduring allure of a well-crafted romance. This emotional resonance is further reflected in the perfume's composition, which is rich and multifaceted, designed to captivate and enchant. The name implies a scent that is not only luxurious but also deeply evocative, intended to evoke feelings of affection and admiration in those who encounter it.

In terms of its scent profile, Fath's Love can be interpreted as a fragrant embodiment of passion and sophistication. As a rich floral chypre with dominant spice and pepper notes, it suggests a complex and vibrant character, designed to make a bold statement. The extensive blend of over 70 individual ingredients contributes to a fragrance that is both opulent and multifaceted, with a depth that reflects the intensity and warmth implied by the name.

Women of the early 1960s, a period characterized by a shift toward more dramatic and complex fragrances, would have found Fath's Love both intriguing and fitting. The 1960s saw a move away from the more restrained scents of the 1950s toward richer, more assertive compositions. Fath's Love, with its chypre base spiked with spices and pepper, aligns with this trend, offering a sophisticated alternative to the lighter floral fragrances that were prevalent at the time. Its rich, spicy character would have appealed to those seeking a fragrance that made a strong and memorable impression, reflecting the era’s growing appetite for bold and expressive scents.

Overall, Fath's Love stands out as a unique and evocative creation within the 1960s perfume landscape. Its blend of floral and chypre elements, combined with its dominant spice notes, offers a distinctive and personal touch that sets it apart from other contemporary fragrances.

Chasuble by Jacques Fath c1945

Jacques Fath’s choice of the name "Chasuble" for his 1945 fragrance carries a profound and evocative significance. Derived from the Latin word "casula," meaning "little house" or "cape," the term "Chasuble" refers to a distinctive, flowing garment worn by clergy during religious services. In French, it denotes a vestment that envelops the wearer in an aura of solemnity and reverence. By selecting this name, Fath invokes imagery of timeless elegance and spiritual grace, suggesting that the perfume, like the garment, offers a protective and enveloping experience.

The name "Chasuble" evokes a sense of grandeur and mystique, conjuring images of elaborate ecclesiastical robes and the serene, contemplative atmosphere of sacred spaces. The association with such a garment might lead one to interpret the fragrance as possessing a profound depth and a sense of spiritual luxury. The scent itself, with its classification as a floral woody oriental, aligns with this imagery. It is described as heady and exotic, characterized by a rich, heavy blend dominated by incense musk and amber. This composition suggests a fragrance that envelops the wearer in an aura of opulence and mystery, much like the chasuble wraps the clergy in its sumptuous fabric.