Note: Please understand that this website is not affiliated with the Jacques Fath company in any way, it is only a reference page for collectors and those who have enjoyed the Fath fragrances.


The goal of this website is to show the present owners of the Jacques Fath company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back your favorite perfume!


Please leave a comment below (for example: of why you liked the perfume, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories), who knows, perhaps someone from the company might see it.

Showing posts with label 1950s. Show all posts
Showing posts with label 1950s. Show all posts

Wednesday, November 19, 2014

Fath de Fath by Jacques Fath c1953

Fath de Fath, created by Jacques Bersia, and launched by Jacques Fath in 1953, carries a name imbued with both personal and sophisticated connotations. The phrase "Fath de Fath" essentially translates to "Fath's Essence" or "Fath's Own" in French, attributing the fragrance directly to its creator, Jacques Fath. This naming choice reflects a sense of personal imprint and intimate connection to the fragrance, positioning it as a direct extension of Fath’s own refined taste and style. The repetition of "Fath" emphasizes the exclusivity and personal nature of the scent, suggesting a perfume that is both uniquely and intimately tied to the designer's identity.

The term "Fath de Fath" evokes images of elegance and sophistication, with a touch of French allure. It conjures a sense of luxury and refinement, suggesting a fragrance that is both classic and deeply personal. This sentiment is mirrored in the perfume's composition, which features a delicate yet complex blend of floral and oriental notes. The name implies a scent that is not only a reflection of Fath's artistry but also an embodiment of timeless elegance.

In terms of scent, Fath de Fath can be interpreted as a sophisticated interplay of light and depth. The fragrance opens with a bright, aldehydic sparkle that introduces a refreshing, clean facet. This is followed by a dominant floral heart, where rose and jasmine are prominently featured, offering a rich and romantic bouquet. The chypre base adds a layer of depth and complexity, characterized by the earthy and woody notes of vetiver and citron bark. The muted symphony of additional notes—tea, violet, cedar, gardenia, alpine mosses, and precious woods—creates a harmonious and nuanced composition, evoking a sense of quiet luxury and understated elegance.

Women of the early 1950s would have related to Fath de Fath as a symbol of sophistication and modernity. The 1950s perfume landscape was marked by a preference for complex and refined fragrances, often with a blend of floral and oriental elements. Fath de Fath aligns with these trends while offering a distinctive twist with its prominent rose and jasmine notes, supported by a chypre base that provides both freshness and depth. Its light yet rich character would have appealed to women seeking a fragrance that was both modern and timeless, capturing the essence of post-war elegance with a touch of personal distinction.

Overall, Fath de Fath stands out as a reflection of Jacques Bersia’s craftsmanship and the sophisticated fragrance trends of the 1950s. Its blend of aldehydic freshness, floral richness, and chypre depth makes it a quintessential example of mid-century elegance, appealing to those who appreciated a scent that was both refined and deeply evocative.






Thursday, December 5, 2013

Chasuble by Jacques Fath c1945

Jacques Fath’s choice of the name "Chasuble" for his 1945 fragrance carries a profound and evocative significance. Derived from the Latin word "casula," meaning "little house" or "cape," the term "Chasuble" refers to a distinctive, flowing garment worn by clergy during religious services. In French, it denotes a vestment that envelops the wearer in an aura of solemnity and reverence. By selecting this name, Fath invokes imagery of timeless elegance and spiritual grace, suggesting that the perfume, like the garment, offers a protective and enveloping experience.

The name "Chasuble" evokes a sense of grandeur and mystique, conjuring images of elaborate ecclesiastical robes and the serene, contemplative atmosphere of sacred spaces. The association with such a garment might lead one to interpret the fragrance as possessing a profound depth and a sense of spiritual luxury. The scent itself, with its classification as a floral woody oriental, aligns with this imagery. It is described as heady and exotic, characterized by a rich, heavy blend dominated by incense musk and amber. This composition suggests a fragrance that envelops the wearer in an aura of opulence and mystery, much like the chasuble wraps the clergy in its sumptuous fabric.